Caravan Archives on Twitter

As I get asked daily, multiple times a day, as to the status of Caravan despite all of said golden answers existing entirely on this hand-dandy blog, I've also now created a twitter feed dedicated specifically to Caravan's production, so you can get real-time updates on the film's status. Check out/follow the Twitter Feed at http://twitter.com/CaravanArchive. Its updates will appear in the side-bar of this blog from here on out for further easy-access updates.

Cheers,
♥Mel

Stratton Podcast Interview

Mr. Doug Stratton, with his recently purchased original and print of "Roadside Rest" from the CCS 2010 SEO.

As many of you may recall, I was recently awarded the first place 2010 scholarship from The Stratton Foundation in support of Caravan. In an act of further support and tremendous generosity, the head of the foundation, Mr. Doug Stratton, was kind enough to also purchase one of my pieces - my favorite, in fact - from the 2010 College for Creative Studies Student Exhibition Opening. I was recently interviewed by Mr. Stratton for the Foundation's podcast program, and as of this week, that interview is online to share. You can listen to it here.

As always, my deepest gratitude to Doug and his associates at the Stratton foundation. Their support and generosity have been both a tremendous inspiration, and a much-needed helping hand.

♥Mel

ReFueling Inspiration

As always, and especially with personal non-profit projects like Caravan, I think keeping one's self inspired and perpetuating the feeling of continued growth and creativity through a project is key to keeping on track and maintaining a love for the work beyond simple determination and elbow grease. In the spirit of continuing to fuel my inspiration with Caravan, yet another portion of my time in recent weeks has been spent taking another dive into discovering and collecting new nuggets of inspiration. I've been photo-taking, camping, browsing the net, and low and behold, the exercises in sparking little bits of intrigue here and there are paying off, and helping me maintain - and oftentimes refuel - my ambitions.

The current view, shotgun, from the family RV.

Campfire and wind-chimes at the current campsite.

The above photos were both captured at whim fairly recently from my parents' current campsite. Staying with them at any length is a perpetual, peaceful, very wonderful way to re-ignite my love for this project. I'll undoubtedly be hopping on over to visit them frequently throughout the summer - always a wonderful prospect.

Music, as always, and as I think is pretty readily apparent throughout this blog so far, is another huge source of inspiration for me artistically. My buddy Kate recently introduced me to the Black Rebel Motorcycle Gang. Apart from being rather entertaining tunes in general, a number of their songs have now ended up on my Caravan-inspiration playlist on itunes. Here's one of said songs:

	Black Rebel Motorcycle Club - Ain't No Easy Way .mp3
	Found at bee mp3 search engine

Just today, actually, I found the footage below on YouTube, and I absolutely love it; European-based Romany travelers, filmed in the early 1960's. Now granted, my little fictional group of travelers in Caravan are both American-based and geared more towards the late 60's, early 70's, but I couldn't help but be struck by the beauty of this little film and its relevancy visually to my own inspiration - people persevering through an undoubtedly difficult lifestyle.


More again soon,
♥Mel

Working From Home

I've begun the slow but steady process of getting past copious degrees of burn-out and picking back up where I last left off, working on Caravan. From here on out I'm taking its production, I've decided, entirely at my own pace. The speed at which I was working on the film this past year was, to be completely honest, to the point of being a little inhumane even by my nutcase-workaholic-and-loving-it standards, and I'm thrilled to be able to work on this thing now at a steady stride that is healthy for myself both physically and emotionally. And I mean, really, this film has been a dear friend for a year and a half now - it deserves calm, healthy attentiveness over frazzled anxiety attacks any day. So, Caravan'll "get there" when it gets there, and I'll be keeping you all updated every step of the way! :D

As I'd mentioned beforehand, I'll be working on the film almost entirely from home how, so a fair chunk of my time recently has been spent getting everything installed, organized, set up and switched about at the house to make for a solid little film-producing environment... I do believe I'm officially "there" in this set-up process, too. I finished seven seconds of clean-up this past week, and the work flow went very smoothly with the new at-home space as it stands: Awesome news indeed. Thought I'd share those work spaces with you here:

Animation work desk

The above is where most of my time will be spend from here on out, doing tie-down and clean-up. To the right of the desk is the film itself on an IKEA shelf kindly donated by my roommate, and upon the desk my light table, copious supplies, a mirror for acting, etc. As with any work space of mine, I try to decorate it to the best of my ability simply to feel comfortable and inspired. Alot of my decorations from Senior Studio are up here as well, combined with many things from home - including concept art from a long-running personal project of mine, which has been sharing equal parts of my passion again since graduation. I've also got my TV nearby for entertainment's sake... Law & Order SVU marathons on Tuesdays are a must after all, not that I'm actually around to watch them! :D And yes, those are kitty food and water bowls beside me, so I get routine visits from the FurKids... when they're not trying to crawl all over me or my animation paper, of course!

Caravan's new home!

The film itself, rather meticulously organized on shelves - what an upgrade, let me tell you! This is SUCH an improvement from my work space at school for the fact that I can have everything out and at my disposal and organized now - there was only so much organization I could manage on campus, as I had to keep everything packed safely into my locker - a bit of a pain in the butt. Now, with proper shelving, it's smooth sailing in terms of finding what I need when I need it, thank goodness! At current, the top shelf is fully animated shots waiting for clean-up, second shelf down are shots still in need of some level of in-betweening, third down are shots immediately in-line for clean up in the order that I plan on working on them, fourth down is blank cut and hole-punched paper, and the bottom shelf, spanning nearly to the floor (though you can hardly see it here) is completed film: shots I'll never have to address again, thank goodness, and a stack of which is, blessedly, already quite huge.

Compie! ♥

My home computer will now, of course, be the main hub for my portions of the remaining digital aspects of the film's production. Not to mention the copious iTunes playlists I have to keep my mind sharp while I work - one of which is specifically geared towards Caravan inspirational tunes.

The downshooter!

Last but not least (Though I'm pretty sure I've shared this one before) is our home-made downshooter set-up for pencil tests.

And there you have it - Caravan's new production home for the immediate future. Onward and upward, with more updates to come! Cheers.

♥Mel

Scene 2 Storyboards and Update

Caravan: Scene 2 Forest EXT

To think Caravan, at one point, was just a fleeting idea in my head, let alone a couple of pages worth of storyboards in my sketchbook. Now, it's a fully rough-animated film, halfway on its way towards life in technicolor. I was thoroughly entertained to find this scan of one of my pages of boards filed away in a very random location on my computer, and thought I'd share. Mia meets Kelsey, from scene 2 of the film.

At the moment, I'm one week into the two week break I have has scheduled for rest and re-compiling of thoughts/sanity/personal health, fresh after Graduation from CCS. At the end of those two weeks, I'll pick right back where I left off with the film, smack in the middle of clean-up and coloring process. I look forward to that. Until then, I'll stick with my gardening, camping, freelance and personal art projects, a couple of which you can follow over at my art blog, if you'd like.

Also, because I love it so, here's one of the latest tunes fueling my Caravan inspiration: "White Summer/Black Mountain Side" by Led Zeppelin. I can just imagine the entire convoy trekking up a country back-road to this somewhere, pitching camp one late summer evening... little miss Mia in tow, of course. Love it.

	Led Zeppelin - White Summer/Black Mountain Side .mp3
	Found at bee mp3 search engine

See you in a week, Caravan!
♥Mel

Roadside Rest (Flat Colors)

I've gotten a little attached to the lineless vector-like flat colors for this image (Which I've given the impromptu title of 'Roadside Rest') So I thought I'd share. I'm really enjoying the pallet to the image so far - it continues the fall colors at the end of the Caravan short, as it's within probably two weeks of that point in the story, but the tones will be slightly cooler and slightly calmer than the intense tones seen in those mid-day scenes - this scene will take place at dusk.

On to textures! :D

♥Mel

"Mel-Style" Caravan

Kelsey, Mia and the fuzzies (Hoobler the mutt and Icklefitz the cat) resting beneath the shade of a young oak in one of the first campsites the Travelers inhabit after the events taking place in the film.

One of the more interesting aspects of working on Caravan has been the fact that I, from the start, chose to design the characters in a far more graphical, simplified, "cartoony" manner then I typically draw when designing characters of a more illustrative basis. Keeping the characters more graphical in appearance certainly has aided in allowing me to animate faster, in the end (especially where clean up is concerned!) so the decision ended up being a smart move. However, it has also very frequently left me craving drawing the cast more in my regular day-to-day style of drawing - after all, my usual style is how I actually see the characters in my head, not the simplified style you see in the final film. Strange, perhaps, I know, but that's just the long and short of it.

For fun, here and there when I find the time and am able, I thought I'd start drawing the whole film's cast in my usual more comic-style of drawing. There are hints of the film's graphic 'toon style throughout the character designs, but at the same time, I think the differences are evident, and both fun and interesting to see (Check my original character line-up sheets for easy comparison.)

I'll be coloring the image above throughout the night, and if I get the chance, will throw up some process work from it here and there. :)

♥Mel

Transitions

So, I spent the better part of my day deconstructing my work space in Senior Studio, cutting and hole-punching three reams of paper and loading the entire lot of into my car. Tomorrow, I'll be clearing my locker out of all of my Caravan animation and hauling it home as well. Somehow, I think I should be more tore up about having to vacate the work place I've been holed up in for so many months - that would be the typical reaction, I guess - but as with so many transitions in my life (and there have been a plethora) I find myself looking at it quite evenly as just another step, and focusing more on how I'm going to make the next phase of things work - How I'll be able to produce the rest of this film from home, store and sort the metric ton of animation and paper, and have a feasible work space in general back at the house (though granted, I'm blessed to live with three other animators, so I'm certain we'll make it work) - as opposed to how things are changing - i.e., the sudden lack of Senior Studio and the lovely people in it.

I guess I relate rather well to the Travelers in Caravan in that manner. I've gotten almost too used to being able to drop things and places at the drop of a hat, and look immediately look upon the next place as home instead - little to no emotional transition between them, because the constant change is just the way things are. Life's a trip like that.

Though at least this time around I can say I will genuinely miss the people involved - classmates and professors alike. I adore every one of them, and there isn't a single person involved who hasn't left an indelible impact on me in one fashion or another. I owe them a lot for that.

I'll update more again soon - the Senior Show and graduation are next week and I, blessedly, have been given honored with the spot of runner-up to Senior Select this year, which is completely and totally awesome. (Means a huge show space! Whoohoo! Thank you, Professors!) For now, here's a few of the last work photos I took in Senior Studio, on the tail end of Finals all-nighters.



-Mel

First Official Trailer (And To Do's!)

Caravan Official Trailer from Mel Miller on Vimeo.

Caravan's first official trailer, compiled both for the CCS 2010 Senior Show, and for use by the Stratton Foundation, who was recently kind enough to award the film and myself a generous scholarship. Music by Larry Larson.

So, I'm in my last week of classes at CCS. While Caravan's production will span well into the next couple of months I'm wrapping up my classes as efficiently as I can manage. Helping to do so, I've chalked up a hefty to-do list to follow where Caravan is concerned. I'll continue to update it here as I get things completed.

Monday:

• Finish clean-up on S070
• Finish Rough on everyone walking out of the house
• Reserve sound recording equipment for Friday
• Get feedback on Demo Reel, Resume, and what to work on next for final review reel.

Tuesday:

• Make edits to Resume as suggested by Steve
  
• Work on final leica reel for presentation at home
• Make a trailer, both for presentation and for Stratton youtube posting
  
• Tie down and clean up girls dancing loop from home and at work.

Wednesday:

• Rough animate girls walking up path.
• Tie down Ethan rearing to strike Mia (so Mia actually exists)
• Work on girls dancing loop clean-up.
• Update Leica Reel again
  

Thursday:

• Update Leica Reel again
• Work on girls dancing loop clean-up.
  

Friday

• Rent Sound recording equipment.
• Shoot whatever clean-up is available.
• Nab one of the editing suites or sound recording studio to record additional sound FX

Saturday

• Save JPEGs of all 64 backgrounds for final presentation.
• Batch and Color shot animation
  
• Niles composites whatever new color shots are available
  

Sunday

• Compile final Leica Reel for presentation
• Last-Minute Updates for Demo Reel
• Last-Minute Updates of Trailer
  
• Type up Reel Break-Down List
• Render out final Leica, Demo Reel, Trailer
  

Cheers,
Mel

The Traveler's Camp (Soundtrack)

This past Tuesday, despite us both being quite exhausted from crazy schedules, Larry was gracious (as always) enough to to sit down and record Caravan's music soundtrack with me. I absolutely love the results - they're every bit as much of the "bluegrass jam session beside the campfire" I had hoped for for the film, and I wanted to share some of the results with you here.

Tremendous thanks to Larry Larson for lending his talent to this film. You sir, are a continual inspiration.

Caravan "The Traveler's Camp"
by Larry Larson


Cheers,
Mel

Thank You, Stratton Foundation!

I am absolutely thrilled and honored to announce that the The Stratton Foundation has awarded their 1st place scholarship for the 2010 school year to myself in support of Caravan. To the Stratton family - I cannot thank you enough. This scholarship will ensure my ability to continue to work on and ultimately finish the film in the months to come. Thank you for supporting my work, and believing in my humble little film's message. I am tremendously grateful!

-Mel

A Cornucopia of Happenings

As you could imagine, the title of this entry exists purely for the ability to use the work Cornucopia. because everybody should, every once in a while. It's that awesome.

Despite being exhausted to the point of delirium, I'm chipping away at caravan as the semester ever-so-rapidly nears a close. As of yesterday, I re-edited the film's leica reel purely on timing and how it felt visually, finally scrapping my old scratch soundtrack in preparation for editing final sound. I managed to shave 6 seconds off of the film as a result, and I feel like the whole thing flows much more smoothly. Today, I'm meeting with Larry, hopefully producing the film's score as a result - step one (and I feel, as someone who is very creatively prone towards musical influences, the most important aspect) of getting the final sound down for Caravan.

This week's immediate to-do list:

• Edit Leica Reel for tightest timing possible. (DONE)
  
• Tie-down shots where Mia is getting yanked around so that they read as clearly as possible. (DONE)
• 1st Angry Ethan shot: tie down last few frames to force pose. (DONE)
• 2nd Angry Ethan shot: tie down last few frames to force pose. (DONE)
• Rough animate the girls dancing about the campfire (shoot reference on Wednesday!) (DONE)

I also entered Caravan's progress reel to compete for this year's Stratton Foundation scholarship, as they routinely, generously and quite enthusiastically, support CCS and its students. Here's hoping! :) Entry for the application required students to write two statement paragraphs, one for the artist, and one for the film itself. I thought I'd share those here.

Caravan

Caravan tells the tale of eight year old Mia Talbert's discovery of a band of eclectic Gypsy Travelers in the woods near her home. The Travelers' warm companionship and colorful lifestyle draw her back to their campsite from one season to the next, while, each night, she tepidly returns home to her rural, derelict farmhouse. When Mia's young Gypsy friend, Kelsey Kavenaugh, follows her home one day, the truth about her home life is revealed to a frightening degree of clarity, and Kelsey flees back to the campground for help. Mia, the victim of an abusive father, he addled with alcoholism that has consumed their family for generations, is spirited away by the Gypsies, and with them, she finds peace. This film, at is core, strives to show that one in no way has to be of means to make a tremendous impact on the life of a child in need. They simply have to take the step needed to do the right thing. Caravan is the senior thesis film project of Entertainment Arts major Mel Miller, currently in production, and scheduled for completion as of September 2010. The film strives to artfully combine hand-drawn and digital film making techniques, as a fully traditionally animated film, digitally colored in Adobe Photoshop, its special effects and final composite compiled in Adobe After Effects.

Mel Miller on the Creation of Caravan

Caravan is a short film rich in personal symbolism and experience for myself, as well as a reflection back on aspects of my family’s history, both positive and negative alike. Its creation has greatly become a form of art therapy for me. It has allowed me to reflect back on my own family’s generations-long struggle with alcoholism as a disease, giving me the opportunity to approach my and my mother’s childhood memories both objectively and on a very personal level, excising many long-buried understandings and misconceptions about that history, and coming to better understand my own roll in such a complex family disease. The film also, very ironically and unexpectedly, has allowed me to better and more positively face the homelessness both I and my parents have faced during months of its production, grasping all too clearly, much like the Gypsy Traveler characters within Caravan, the tremendous importance of the warmth, closeness and network of support provided by family; in times of prosperity of course, but all the more so when the material things in life fail us completely. This film has been a guide, a mentor, and a constant companion for the past year, and I look forward to continuing to grow through its creation in the coming months.

Thank you, Stratton Foundation, for your consideration.

-Mel

Score Recording Scheduled!

This is the part where I flail about in giddy excitement. I just got off of the phone with Larry Larson, and he's been kind enough to schedule a recording session with me this Tuesday to begin work on Caravan's official music track.

For anyone interested, I though I'd post my notes and thoughts on a section-by-section breakdown of what I've been considering for the film's music so far, including tracks to reference in terms of tempo and feel. Here's all that:

Here are links to the songs I have mentioned in the list below, so you can check them out:

• "Dueling Guitars" by Kaki King
• "The Smoothie Song" by Nickel Creek
• "Polly Come Home" by Robert Plant and Allison Krauss

Note: The sections of the list below with "***" in front of them are parts I'd like to record music for.

• *** The first 40 seconds of the film, where Mia stomps out of the house angrily, heads off on her walk to school, and is startled by the Gypsy in the woods, before going into the woods after her. I love the simple, building opening to "Dueling Guitars" by Kaki King, and think that that simple, slowly elevating sound would be a nice sort of vibe to have for this section.
• I'll probably use the very opening of Wreck of the Edmund Fitzgerald - the harmonica bit - for the title card, unless Larry'd like to re-record it for the film.
• 0:50-1:20 I plan on using the same sort of creepy echoed humming you hear in the leica reel. That little tune (and the humming) are both created by myself... a tune that's been stuck in my head since I started working on the film. I've just dubbed it "Mia's Song." So, that part is taken care of.
• *** 1:28-2:50 takes us through the entire campground montage where Mia meets the Travelers. I've used Nickel Creek's "Smoothie Song" for this section, because I absolutely love the sound, and its vibe is excitably happy, yet fun in its slightly bluesy feel. I'd love to do something similar for the "official" caravan music.
• 2:50-3:05 will be silent, focusing on environmental sound effects.
• *** 3:05-3:26 I've been using the slow, weighty guitar parts from Robert Plant and Allison Krauss' "Polly Come Home" for the scenes in the film where Mia has to run home and stand in front of the farm house. This is the first of those two sections, and it may be nice to have a similar bluesy, slow paced sound for those sections.
• *** 3:27-3:49 more of the same from "The Smoothie Song" by Nickel Creek, as Mia runs back to the campground. This part is a little more aggressive then the part of the song used to introduce the Travelers.
• *** 3:49-4:09 More of the slow, heavy guitar strumming from "Polly Come Home" as Mia finally pushes her way back into the farmhouse.
• 4:09-4:20 Another silent section that would focus on environmental sound effects as opposed to music.
• *** 4:21-5:10 In this section, Mia is hauled into the house by her father, and Kelsey runs off to get help, before returning withe her father and his friends to put Ethan in his place. Of all sections, I am least sure st to what I would like for this part of the film in terms of music. It should be something, like the rest of the soundtrack, with a sort of bluegrass-country feel, and should start out being quite foreboding in seeing Ethan on the porch, accelerating in fright as things become violent, and become energetic as Kelsey runs for help.
• The rest of the film, I've basically gotten taken care of already. The flashback scene as well as the following scene where Charlie decides not to give into Ethan's violence will be more of that eerily hummed "Mia's Song," and the closing scene utilizes Larry's "The Wreck of the Edmund Fitzgerald."

So, in total, I'll need about 4 minutes of music (3 minutes and 52 seconds, give or take.)

Other songs that has a similar feel to the style of music I'd like for Caravan:

• "Ritual Dance" by Kaki King
• "The Inlaw Josie Wales" by Phish
• "Little Martha" by The Allman Brothers Band

And for the fun of it, what I've been considering Caravan's "theme song" lately, "Not Fade Away" by the Rolling Stones

I'm quite excited for this ^_^
-Mel

Re-Organization and Numbers

My roommate Pat, and a little love for the white board.

Yes, ladies and germs, it's that time of the semester. As is part of the game, I'm burnt out, exhausted, having moments of epic flailing and fatigue, and finding it time for re-evaluating the scope of Caravan's production.

Things are going well. I've gotten a ridiculous amount done. What was going to be a film chocked full of limited animation has turned into a film that is flooded instead with full animation. All 82 scenes of my rough animation are complete save for, I believe, two, which will be done before the semester's done. Over half of the film's 6 and a half minutes will be fully completed to final color and composite, and all of its 64 fully colored backgrounds are complete. For what, for the most part, has been a one-woman show, I'm pretty pleased with what I've managed to accomplish in a school year, on top classes, 1-2 jobs, and the ridiculous hamster wheel that is life in general.

Sufficient to say, however, there is no way Caravan will be completed by graduation in about 2 weeks. I still have a tremendous mound of clean-up, shooting and color to do. ;)

That said, for my own well-being, and the quality assurance of this project, I've, as of the past week, pushed the projected completion date of the film to early September 2010, giving myself the summer months to come to wrap it up and give it the time it deserves, and myself the time needed to account for proper health, hygiene, and re-acquainting myself with rarities on the CCS campus like the presence of loved ones, a decent diet, and more then 2 and a half hours of sleep a night. This will be done, of course, amidst the beginnings of unleashing a massive wave of resume and demo reels to the working world, and planning for relocation that will inevitably land my other half and I in Southern California.

Caravan's entire of load of animation so far. The beginning of my "re-organization day" on Wednesday, sorted (L-R): "Re-Shoot," "Inbetween," "For Clean-Up," and "DONE M#$%@rF#?@#r!"

The same organization piles by the end of the day, with a substantial portion of the "Inbetween" work done and moved into the "Re-Shoot" or "For Clean-Up" piles. Also added a pile for background assets at the end there for posterity... actually, they just looked lonely sitting in my locker all by themselves.

This past week, I began re-organizing my work into various piles, as seen above. My main goals between now and Final Presentations on May 3rd are to color and fully composite one last 5-second shot (shot 70, to be exact) finish up addressing whatever I can and should with the existing rough animation, reshoot at least half of said rough animation in better-quality resolution then the webcam down-shooter I have at home, and compiling all of these things into a finalized leica reel, with more "official" sound. If, on top of everything else, I manage to get back to clean up again, I'll take it from there.

Cold, hard facts... and a pretty genuine reaction to them, care of Mr. McFace.

So, today, I did the math. By the time Caravan is finished, I'll have done 13,024+ drawings. This was an oddly mixed moment for me. On one hand, it established that I am, in fact, completely nuts for having a go at this film. This is in no way a bad thing - it's nice to have the validation, really. It also, however, made me, finally, see just HOW much work I've placed on my plate, making me, on one hand, a bit irritated that I've been so hard on myself for not getting "FARTHER, FASTER, STRONGER!" (I do this all of the time. What artist can resist being their worst critic?) On the other, it, in all honesty, makes me pretty damn pleased with how far I've gotten so far. This was a nice point to hit, finally, even if it took me nearly 30 weeks and a terrific amount of artistic angst to get there.

Last but not least, I thought I'd note one thing I will certainly miss about CCS... The collaborative spirit of classmates, even to the most awesomely silly degrees. By this morning, the sketch I initially did of ANGRY MIA (see the first image up there) was met with a slew of fun additional doodles... it made my day awesome. Thanks guys!

Doodles by (Clockwise from above Mia's head): Josiah Sarr, Christina Harper, Kerry Newill, Kate Burk, and Patrick Stannard.

-Mel

Pat's Mia and Hoobler

Another adorable doodle by Pat; Mia hugglin' a dribbly, derpy ol' Hoobler. I absolutely adore this sketch - to the point that I've gotten permission from Patrick to digitally paint it when I've got the time. Looking forward to it!

-Mel

Patrick's HoobleDoodles

Hi everyone! I must apologize for the scant posting this month. Production on Caravan, my 27th birthday, my 2-year anniversary with Niles - so many wonderful things have been keeping me busy. With a bit of encouragement from my professor, however, I have a slew of blog updates to post, and I thought I'd start with a hefty dose of EPIC CUTE care of my awesome buddy, classmate and roomie, Patrick. He recently brightened my day with some of the cutest doodles of Caravan's resident barkin' carpet-dog, Hoobler, in existence.
More to come,
Mel

Quirk's New Cover

This past week I bought a sketchbook to commit to for the first time in far too many months. I've named hime Quirk.

Up to this point, I simply haven't had spare time to even try to draw routinely outside of Caravan, but it's becoming a necessity now, so late into the production, to help me maintain my focus. Sometimes, a gal just needs to draw something other than angsty pre-teens.

I do find it incredibly silly however that the first thing I think to drawn on the cover of a book that is meant to be filled with everything BUT Caravan artwork ends up with little miss Mia on the cover.

Seriously, kid. Personal space.

Here's the first batch of sketches from the book.

On the caravan front: I now have a very in-depth leica reel for the film, and I'm working on completing the remainder of its rough animation this next week and a half or so. Then, it's right back to clean-up, color and composite.

Onward!
♥Mel

Everybody Likes ol' Charlie

Mia Likes Charlie - Rough Test from Mel Miller on Vimeo.

I'll be spending the next week and a half, possibly two, after midterms completing what rough animation is left to be done for Caravan before going back into clean-up. This shot was the beginning of those efforts, and I'm fond of it, simply because I think it's cute ;)

This shot is in its beginning super-rough, relatively blocked-out stage of animation - a close-up of Mia, just after Charlie ducks down before her to her level to introduce himself. She's spooked by him at first, and looks back to Kelsey, whom she at least feels a little more trustworthy. Realizing Kelsey s quite fond of the fellow before her, Mia decides to give ol' Charlie a chance.

Cheers,
Mel

Half Way There :)

Mia: ORLY? from Mel Miller on Vimeo.

I thought I'd share another animated clip of Mia, wherein she realizes that, in fact, Kelsey doesn't bite after all.

I do apologize for the scant updates over the past few days, but there's really nothing new to report - I'm still working tremendously hard on the film, almost to a fault at times - proper rest is a scarce commodity. It's nearly halfway complete however, which is fantastic. I also plan on compiling an up-to-date leica reel of the film this upcoming weekend, and I'm quite excited for that. All the while, oddly, I've gotten completely and unabashedly hooked on Lost (started from season 1 this past weekend and am already halfway through season 2!) It's proven consummate, albeit rather strange company while I animate.

Also for he fun of it, my new favorite tee, which gets worn to Senior Studio quite often:


Onward and upward!

-Mel

Another Glimpse of Caravan

A Glimpse of Caravan from Mel Miller on Vimeo.

Another set of completed shots for Caravan. We're still tweaking these here and there with timing in terms of the SFX, but they're definitely coming along! The music included is bay the wonderful mister Larry Larson, whom I am privileged to know - used with permission.

Work on the film remains steady, and entertaining as ever, and while I rest little, I'm maintaining confidence and excitement in the project as a whole. Having great friends to work alongside while they chip away at their own films is also a plus. Good company most certainly makes the more stressful times much more pleasant to deal with.

... Even if your buddy in question is a total creeper.
Oh, silly Patar.

Last but not least, the latest tune to receive chronic airplay amidst Caravan's production? "Caravan" by Van Morrison. Sadly, I cannot seem to find a video copy of the original recording anywhere online to share with you here, but this will certainly do for now:

"Caravan" by Van Morrison

Cheers,
Mel