Yes, ladies and germs, it's that time of the semester. As is part of the game, I'm burnt out, exhausted, having moments of epic flailing and fatigue, and finding it time for re-evaluating the scope of Caravan's production.
Things are going well. I've gotten a ridiculous amount done. What was going to be a film chocked full of limited animation has turned into a film that is flooded instead with full animation. All 82 scenes of my rough animation are complete save for, I believe, two, which will be done before the semester's done. Over half of the film's 6 and a half minutes will be fully completed to final color and composite, and all of its 64 fully colored backgrounds are complete. For what, for the most part, has been a one-woman show, I'm pretty pleased with what I've managed to accomplish in a school year, on top classes, 1-2 jobs, and the ridiculous hamster wheel that is life in general.
Sufficient to say, however, there is no way Caravan will be completed by graduation in about 2 weeks. I still have a tremendous mound of clean-up, shooting and color to do. ;)
That said, for my own well-being, and the quality assurance of this project, I've, as of the past week, pushed the projected completion date of the film to early September 2010, giving myself the summer months to come to wrap it up and give it the time it deserves, and myself the time needed to account for proper health, hygiene, and re-acquainting myself with rarities on the CCS campus like the presence of loved ones, a decent diet, and more then 2 and a half hours of sleep a night. This will be done, of course, amidst the beginnings of unleashing a massive wave of resume and demo reels to the working world, and planning for relocation that will inevitably land my other half and I in Southern California.
Caravan's entire of load of animation so far. The beginning of my "re-organization day" on Wednesday, sorted (L-R): "Re-Shoot," "Inbetween," "For Clean-Up," and "DONE M#$%@rF#?@#r!"
The same organization piles by the end of the day, with a substantial portion of the "Inbetween" work done and moved into the "Re-Shoot" or "For Clean-Up" piles. Also added a pile for background assets at the end there for posterity... actually, they just looked lonely sitting in my locker all by themselves.
This past week, I began re-organizing my work into various piles, as seen above. My main goals between now and Final Presentations on May 3rd are to color and fully composite one last 5-second shot (shot 70, to be exact) finish up addressing whatever I can and should with the existing rough animation, reshoot at least half of said rough animation in better-quality resolution then the webcam down-shooter I have at home, and compiling all of these things into a finalized leica reel, with more "official" sound. If, on top of everything else, I manage to get back to clean up again, I'll take it from there.
So, today, I did the math. By the time Caravan is finished, I'll have done 13,024+ drawings. This was an oddly mixed moment for me. On one hand, it established that I am, in fact, completely nuts for having a go at this film. This is in no way a bad thing - it's nice to have the validation, really. It also, however, made me, finally, see just HOW much work I've placed on my plate, making me, on one hand, a bit irritated that I've been so hard on myself for not getting "FARTHER, FASTER, STRONGER!" (I do this all of the time. What artist can resist being their worst critic?) On the other, it, in all honesty, makes me pretty damn pleased with how far I've gotten so far. This was a nice point to hit, finally, even if it took me nearly 30 weeks and a terrific amount of artistic angst to get there.
Last but not least, I thought I'd note one thing I will certainly miss about CCS... The collaborative spirit of classmates, even to the most awesomely silly degrees. By this morning, the sketch I initially did of ANGRY MIA (see the first image up there) was met with a slew of fun additional doodles... it made my day awesome. Thanks guys!
Doodles by (Clockwise from above Mia's head): Josiah Sarr, Christina Harper, Kerry Newill, Kate Burk, and Patrick Stannard.