For anyone interested, I though I'd post my notes and thoughts on a section-by-section breakdown of what I've been considering for the film's music so far, including tracks to reference in terms of tempo and feel. Here's all that:
Here are links to the songs I have mentioned in the list below, so you can check them out:
- "Dueling Guitars" by Kaki King
- "The Smoothie Song" by Nickel Creek
- "Polly Come Home" by Robert Plant and Allison Krauss
- *** The first 40 seconds of the film, where Mia stomps out of the house angrily, heads off on her walk to school, and is startled by the Gypsy in the woods, before going into the woods after her. I love the simple, building opening to "Dueling Guitars" by Kaki King, and think that that simple, slowly elevating sound would be a nice sort of vibe to have for this section.
- I'll probably use the very opening of Wreck of the Edmund Fitzgerald - the harmonica bit - for the title card, unless Larry'd like to re-record it for the film.
- 0:50-1:20 I plan on using the same sort of creepy echoed humming you hear in the leica reel. That little tune (and the humming) are both created by myself... a tune that's been stuck in my head since I started working on the film. I've just dubbed it "Mia's Song." So, that part is taken care of.
- *** 1:28-2:50 takes us through the entire campground montage where Mia meets the Travelers. I've used Nickel Creek's "Smoothie Song" for this section, because I absolutely love the sound, and its vibe is excitably happy, yet fun in its slightly bluesy feel. I'd love to do something similar for the "official" caravan music.
- 2:50-3:05 will be silent, focusing on environmental sound effects.
- *** 3:05-3:26 I've been using the slow, weighty guitar parts from Robert Plant and Allison Krauss' "Polly Come Home" for the scenes in the film where Mia has to run home and stand in front of the farm house. This is the first of those two sections, and it may be nice to have a similar bluesy, slow paced sound for those sections.
- *** 3:27-3:49 more of the same from "The Smoothie Song" by Nickel Creek, as Mia runs back to the campground. This part is a little more aggressive then the part of the song used to introduce the Travelers.
- *** 3:49-4:09 More of the slow, heavy guitar strumming from "Polly Come Home" as Mia finally pushes her way back into the farmhouse.
- 4:09-4:20 Another silent section that would focus on environmental sound effects as opposed to music.
- *** 4:21-5:10 In this section, Mia is hauled into the house by her father, and Kelsey runs off to get help, before returning withe her father and his friends to put Ethan in his place. Of all sections, I am least sure st to what I would like for this part of the film in terms of music. It should be something, like the rest of the soundtrack, with a sort of bluegrass-country feel, and should start out being quite foreboding in seeing Ethan on the porch, accelerating in fright as things become violent, and become energetic as Kelsey runs for help.
- The rest of the film, I've basically gotten taken care of already. The flashback scene as well as the following scene where Charlie decides not to give into Ethan's violence will be more of that eerily hummed "Mia's Song," and the closing scene utilizes Larry's "The Wreck of the Edmund Fitzgerald."
Other songs that has a similar feel to the style of music I'd like for Caravan:
- "Ritual Dance" by Kaki King
- "The Inlaw Josie Wales" by Phish
- "Little Martha" by The Allman Brothers Band
And for the fun of it, what I've been considering Caravan's "theme song" lately, "Not Fade Away" by the Rolling Stones
I'm quite excited for this ^_^
-Mel
Posts
No comments:
Post a Comment